"Inspiration is for amateurs; the rest of us just show up and get to work. If you wait around for the clouds to part and a bolt of lightning to strike you in the brain, you are not going to make an awful lot of work, All the best ideas come out of the process; they come out of the work itself. Things occur to you. If you're sitting around trying to dream up a great art idea, you can sit there a long time before anything happens. But if you just get to work, something will occur to you and something else will occur to you and something else that you reject will push you in another direction. Inspiration is absolutely unnecessary and somehow deceptive. You feel like you need this great idea before you can get down to work, and I find that's almost never the case."
You hear the first part of that quote a lot, but I think the rest of it is just as important, if not more so. This week, so far, has been all about process for me. Over the weekend Urban Art Cooperative had their raku firing, a ceramics process that could be compared to eco printing in that there is a lot of serendipity. Being there, learning about how to steer the variables gave me about a hundred other notions of what I would like to do with it. Sorry, no pictures this time, it is a process that goes pretty quickly and there really needs to be a designated photographer! Google raku and you will get the idea, lots of heat and flame with flashy results.
At the home studio it was the week for indigo. Keeping the poor Japanese indigo plants alive this year has been a real challenge. While they do enjoy heat, they weren't tolerating Hell's front porch very well. Neither was I. Indigo is something I haven't done very often, so I am still learning. I decided to use Rebecca Burgess's Harvesting Color as I had used it before with pretty good results.
|Heating the leaves|
|The magic with indigo is that the water is kind of a yellow green, but when you pull the fabric out, it turns blue right before your very eyes!|
|And here they are, turning blue!|
In addition to the cotton scarves, I did two silk blanks with a lot of folding so there would be large white spaces for eco printing later. Then I had a couple eco printed scarves that I thought might benefit from an overdye. Since the scarves had been mordanted for the original eco prints, I was not sure what would happen, but proceeded anyway. The results were mixed, they came out a screaming turquoise color, and it seemed to take forever for them to thoroughly discharge, so not sure if that color is going to be permanent in the long run. The paper on the other hand, is leading me in all kinds of directions!
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